Patching into Dante in the Lab

The lab is set up with a Dante netowrk so you can present your audio to the whole room using the four speakers in the corners plus the subwoofer.

STEP 1: START DANTE VIRTUAL SOUNDCARD

Navigate to your applications folder on your lab computer station and launch the Dante Virtual Soundcard application.

Click the Network Interface drop-down menu and select whatever network is available.

Press Start.

NOTE: If Dante Virtual Soundcard is already running when you open it you will see a STOP button instead of start. If this happens, click stop then start again. Sometimes when DVS stays running when the user logs out it can do funny things and make awful noises when you go to use it again. Restarting it can help.


STEP 2: PATCH YOUR MACHINE TO THE ROOM WITH DANTE CONTROLLER

Launch the Dante Controller application.

The patching matrix will look something like this. Locate your lab computer from the list of transmitters along the top.

Locate the three "Ross 221 Outputs" from the list of receivers along the left side.

Click the three + symbols that coincide with your computer and the three Dante outputs.

Patch channels 1-5 on your computer to the Dante outputs in a 1 to 1 pattern by clicking on the corresponding square. This will make channel 1 on your computer patch to speaker 1 in the room, channel 2 to speaker 2, etc. Speaker 5 is the subwoofer. For QLab, we want to patch each speaker into a different channel. But you can patch multiple receivers into the same transmitting channel if you want.

NOTE: Only one lab computer can be patched into the speakers at a time. If you patch in while someone else is using it, it will break their connection.


STEP 3: SET THE OUTPUT DEVICE IN YOUR AUDIO SOFTWARE (QLAB, PRO TOOLS, LOGIC) TO DANTE VIRTUAL SOUNDCARD

For QLab, you set the audio output device by clicking the settings "gear" icon in the bottom right corner of your workspace.

Then select Audio from the list on the left.

Then click the Device" drop-down menu.

Select Dante Virtual Soundcard and click DONE.

Set Design Workflow in Vectorworks 2025

INTRO: USER SETTINGS

My Preferred Settings for any Project

You will need these files to complete this project.

PART 1: BUILDING THE THEATRE

1. Setting Up your Document

2. Building 3D Theatre Architecture

3. Setting up a Camera and Saved Views

4. Adding 2D Fill for Architecture

5. Adding Masking


PART 2: BUILDING THE 3D SET
6. Adding a Figure

7. Building Platforms

8. Building Walls, Doors and Windows

9. Adding 3D Render Textures for Walls, Platforms, Doors and Windows

10. Adding Cornice using Extrude Along Path

11. Adding Furniture

12. Adding a Backdrop and Trees using Image Props


PART 3: GENERATING A 2D DRAFTED GROUND PLAN
13. Creating a Ground Plan - Viewport on Sheet Layer

14. Adding a Plate Border and Title Block

15. Labeling Your Ground Plan - Viewport Annotations

16. Adding a CL, PL, SP, and Notes


PART 4: GENERATING 2D DRAFTED SECTIONS AND ELEVATIONS
17. Creating a CL Section View

18. Creating a Wall Elevation

19. Additional Wall Elevations

20. Annotate and Detail Wall Elevations

Types of Scenery and Moving Scenery

Here you can download our class slides for Types of Scenery
Many scenic materials are also in these slides.

These are the slides we used in class that cover Handling Scenery.

Tool Slides

Hand Tools

Power Tools

Here are some hand tools and power tools that you'll encounter in stagecraft.

Theatre Spaces, Shops, and Safety


Here are some stagecraft slides for types of theatre spaces, shops, and safety equipment.

Tool Safety Videos

Here are some pretty thorough safety videos made by the Power Tool Institute. They may feel a little long, but they have important information.

Please remember that these tools can be dangerous. Even if you have had previous experience with tools, these safety precautions are essential. A Yale University student was killed a few years ago when her hair was caught in a lathe.

Table Saw
Miter Saw
Circular Saw

Stagecraft students need to watch these videos before they use tools in class. Scene shop employees need to watch them once each year.

Sculpting Foam Balusters

I built a hot wire cutter to sculpt some balusters out of EPS foam.

Here's a video to see it in action. The sound is muffled since we're wearing respirators.

And here they are in use for Much Ado About Nothing

Thanks to Jacobs Online for helping me figure out what transformer to use.